Reviews
"It's
melodrama of Tennessee Williamsian proportions as an often shirtless,
sweat-dripping gay cowboy enters the home of a secretly gay man and his
sexually unsatisfied wife. Mix and stand back!
"One of the more unusual offerings in the festival, Cowboy Junction offers
a surreptitious romance, steamy sex, one sexually-frustrated wife, a
doe-eyed gay cowboy and a horny, married, gay man who wants it all. The
results? A turbulent, emotion-and-sex-packed ride through suburbia which
makes the women of “Desperate Housewives” look like god-fearing
virgins in comparison. A chiseled, but tender gay cowboy (James Bobby)
is picked up by a married man in an almost surreal gay pick-up area in
the parched desert. After their passionate quickie, the husband (Gregory
Christian) brings the hunk home, telling his young wife (Elyse Mirto)
that he is the new handyman who will live in the back garage. Lies are
built on lies, as the two men begin an affair under the increasingly
suspicious wife’s nose. And making matters worse, the sexually
frustrated wife has her own plans for the often shirtless and sweaty
cowboy. How will this turn out? Only bad, my fellow filmgoers, only bad.
With the pent-up secrets and sexuality of a Tennessee Williams play,
this wildly enjoyable, super-charged melodrama delivers a potent punch
and is a real festival discovery.
- Raymond
Murray is the author of "Images in the Dark" and the Artistic Director
for the 2006 PIGLFF.
~
"When Brokeback Mountain came out, I had
no idea it would be such a popular hit. I was completely ignorant of
the fact that it was nominated for the Oscars etc... I thought, something
different, something to add some luster and edgyness to my mundane
existance. It was a sweet movie, but not at all edgy. Cowboy Junction
satisfied that need for luster and edgyness the way that Brokeback
couldn't. Without being pornographic, the love scenes were real and
courageous. Sure, it was low budget and you have to get around the
fact that millions of dollars weren't spent to make the film look beautiful
and grandiose. But the acting was remarkable and the plot was dark,
twisted, and intense. Just when you think the two lovers will finally
be together, a dark secret unfolds that ties the missing puzzles in
the dream sequences and flashbacks together. This movie is the dark
side of Brokeback. And the lead cowboy played by stunning James Bobby
is a photogenic hotty. If you're not into low budget films, watch it
just for him. He's a budding star if I ever saw one. The wife, played
by Elyse Mirto gives off a hair raising performance that reflects
many levels. Her character is vulnerable, sexy, hideous, and verging
on maddness at one point. She tackled the challenges of playing such
a character with the guile of a skilled artist. The Husband, played
by Gregory Christian, who also wrote and produced the film has a rare
presence that I cannot compare with any other actor. He gives you shivers
with his dark stare and stillness. You know there are sinister secrets
and repressed thoughts behind his eyes. Yet, he often appears light
hearted and playful like your favorite gay neighbor.
"You'll either love or hate the dialogue.
It is full of wise cracks, put downs and low blows. There is a raciness
to what is said despite the intense nature of the plot. Don't be afraid
to laugh. There is wit to it. Gregory didn't seem to mind when I laughed,
gasped and made remarks such as, "no she didn't!"
"INTENSE is the best way to describe this
film, "like you know something bad is about to happen any minute," as
one audience member put it. An original and brave first feature for
Gregory Christian. I think I see a budding David Lynch or Quentin Tarantino
in our midst."
-
Rhea Morales is an independent film reviewer
_____________________________ Production Notes
"Cowboy Junction" was
originally conceived as a short story entitled Me, Bobby McGee and the
Gun. The simple yet sweet tale of two
men who meet by chance and throw caution to the wind has always resonated
for screenwriter Gregory Christian. "It is a fairy-tale of sorts," he
has said. "Just think back to the last time you fell in love with
a stranger." But this "boy meets boy" tale took on a
completely different twist when he began adapting it as a short screenplay
for entry
into the film festival circuit. Suddenly, one of the boys was now a
married man caught up in a world of homo-erotic fantasy and coveting
his gardener
(the Bobby McGee character now envisioned as a rugged cowboy).
When the script was ready,
the problem of finding two suitable leads arose. While working at
the Kingsmen Shakespeare Festival, Mr. Christian
decided, after much debate, to cast himself as the MAN and fellow actor
James Bobby as the COWBOY. Bobby was more than up for the task of tackling
such challenging and tongue-in-cheek material. The wheels were in motion
and a summer 2004 shoot was set. Gregory calls the short a "one-day
wonder." The entire piece was shot on a Saturday in August in
less than 14 hours. When the final cut was ready, he began submitting
it to
numerous film festivals.
In May 2005, the "Cowboy Junction" short premiered at the
Miami Film Festival. It played on multiple screens at the Regal Theatre
as part of their wildly popular "Boys' Shorts" program. The
piece was a definite crowd pleaser and also garnered a cover on local
Floridian magazine "411" as part of an article about the
festival. The short was so well-received, Mr. Christian announced at
the showings
that the short would be pulled off the circuit and a feature would
be going into production.
The script was ready, the
cast and crew were in place and production was set for five days
following the conclusion of the festival. The
character of the wife was now a prominent part of the storlyine and
would be played
by veteran actress Elyse Mirto (another Kingsmen Shakespeare alumni).
The tale was now a story of her husband's sexual repression and gut-wrenching "coming
out," amongst the most dire of circumstances. The entire movie
was a wonder in it's own right: completed in nine days of total production
time.
_____________________________
Short Story
Me,
Bobby McGee & the
Gun
by
Gregory Christian
I was driving down
the PCH when I saw HIM. You know who I am talking about. THAT guy; the
one who makes you feel all squishy
inside. Anyway,
I was speeding along when he pulled up next to me. That damn light near
the Jack in the Box never changed. I tried not to look at him, for fear
he would be some straight guy who would follow me and beat me up. That's
when he whistled and shouted, "Hey gorgeous, you going my way?" He
winked and, with a flounce of his head, he sped off. His beat-up blue El
Camino was an ozone hazard, but I didn't care. I had just met Bobby McGee.
My little red monster easily caught up to the cocky McGee. Suddenly,
he began slowing down and pulled over to the side of the road. I followed
suit, frightened to death. I swallowed the enormous gulp in my throat.
As I watched him hop out of his car, I felt a bead of sweat trickle down
my brow. I immediately wiped it away.
"Hot day, huh?" The sight of his face peering in my window
made me jump. "Didn't mean to ruin your shorts," he cackled through
tears. I got out of the car and stared him down. I wasn't laughing. We
shared a tense moment until I started giggling. He smiled and came over
to me.
He was tall and tan. And built; I could tell through his tiny see-through
tee. He was wearing hiking boots, loose-fitting jeans and a Stetson. He
WAS the hottest man I had ever seen. And for the moment, it looked like
he was all mine. He backed me up against my car and stood over me with
his towering body. I looked up at him. He was smiling, which put me at
ease. A second passed. He put his hands over mine and leaned in. Fireworks
went off and I was half-blind when we finished locking lips.
Before I knew it, little Brandon Meyer and I were sharing our first kiss. I
was wearing his little sister's skirt and he had his father's hat plopped on
his fat head. There was a loud snap and we both felt it. It was his mother.
She had snapped her broom in two, in what seemed like a futile attempt to scare
us into stopping. It worked. I was never allowed to play with Brandon again.
However, this was a new millenium; another place, another time. And,
fortunately for me, Bobby didn't seem to have a disapproving mother lurking
around. My eyes closed; I was lost in him. I felt him stop.
"Let's go for a little ride," he
said with a wink.
"Okay," I
responded, excited at the prospect.
"Can we take your car?" he wondered. "Mine
won't get over the hill."
I said. "Sure." And we were off. As I took the PCH towards
Santa Monica, he reached for something in his pocket. I thought, for sure,
he was going to show off. "FUCK, WHAT IS THAT?" I screamed, as
I swerved the car to side. I held on to the steering wheel and looked at
him from the corner of my eye.
"It's my gun. Do you like it?" He
traced his hand over the smooth metal and smiled.
I didn't like it but I could not tell him why. He would see me as weak...
The alley was
dark. I couldn't believe I had been stupid enough to go chasing after
X in
this part of town. The "White Party" was this
weekend and I kept reminding myself that the "girls" were all
expecting me to score. I'll just flip a bitch and get out of this dead
end. Before I could, I heard a tap on my side window. Some freak was aiming
a shiny, silver pistol at me. I didn't make it to Palm Springs that week.
What I do remember is waking up in the hospital, much like Julia Roberts
in "Steel Magolias," with my "family" hovering over
my pasty face.
I could not go there with Bobby. This was too much information for a
newbie. He had to earn my trust and waving a gun at me was not the way.
The metal shone in my eyes. I had pulled a stop and the ocean was to our
left. My eyes met the waves and I wished I could run into them. This guy
was a mad man. Or, so I thought.
I felt lips brush
against my neck and I shivered. Bobby whispered, softly, "I
didn't mean to scare you." He slowly turned my face to meet his. That
when I noticed he still had the gun pointed at me. But, his look was not
menacing; it was almost sincere. He handed the .38 to me, as a gesture
of good faith, trust, whatever; I was just glad I got it out of his hands.
I took the keys out of the ignition and unlocked the glove compartment.
I put his pistol away. The moment I had closed it shut, Bobby pounced on
me. He reached over to my side and put the seat back. Like an animal, he
began pawing at my clothes, tearing them off my trembling body...
*
I was sore. The work-out
that Bobby had put me through had left me exhausted and out of breath.
He was covered in sweat. His
body looked like a well-oiled
machine, each muscle in its proper place. He pulled his pants on and sat
up. He reached back for something in his pocket and pulled out a pack of
cigarettes. He offered me one. Now, normally, I would say, "No, thank
you," and decline, but with Bobby, it was different. Something in
me told me to go with it and take a puff. It was okay. As long as I was
with Bobby, it would be alright. He was different from the guys I was used
to dating; not that any of them were hags. It was just that Bobby didn't
fit the cookie-cutter definition of "gay" like some of my old
flings did. He was a bit more rough around the edges. He was looking down
at his hands, inhaling and exhaling the smoke.
"I was destined to meet you," he said. I rolled my eyes, thinking
what a cheesy line that was. He paid no attention. "You believe in
soulmates?" I nodded my head. "Well, mine found me," he
contiued. "But, I was too stupid to notice. He would follow me around
everywhere; this kid, this sweet kid. 'Can I get you this? Do you need
anything?' Everytime, it was the same old thing. One day, I was cruising
some guy in WeHo and he comes around. I had it. I told him to go get me
a latte' from Starbucks. And that was it. He got hit by some guy running
the red. I ran over to him, held his head up. And, you know what?" Tears
were rolling down my cheeks. I shook my head. "He said, 'It's alright.
You'll meet someone...someone you'll like.' Promise me something, huh?"
"What?" I
wondered, wiping my face.
"Don't do anything for me. Let me take care of you. 'Cause you're
that someone I like." We finished our smokes in silence and drove
to my place.
As we approached my
little hut in the Hollywood Hills, I noticed Bobby's eyes had widened
like a little child's. "Hey, bud, what's up?" I
asked. He turned to me, tears forming. "What's wrong? Did I do something?" I
wondered.
"No," he
replied, simply.
"Then, why are
you-?"
"I'm cool, dude. Just chill." He wiped his eyes. We came up
my driveway and he turned to me. "I feel like I've come home. Is that
cheesy?"
"No, that's sweet," I said, as the violins in "Psycho" played
in my head. I parked the car and we got out. He looked over at me and smiled. "Do
you approve?" I joked. He laughed a little, the sun catching the fine
features of his face. Then, he took my hand with a firm grip and ran with
me toward the front door.
I was running
down the street when I learned little Brandon Meyer had moved. Faster
and faster, I was a streak of light and I had to get to his
front door. I barely had time to brake when I reached it. I slammed into
it, hard. I thought by sheer force of will that I could make the impossible,
possible. That by running over to his house, he would be there. All I did
was displace my shoulder.
Bobby reminded me of myself, in that moment. As we fumbled for my keyes,
he started tickling me. I began laughing uncontrollably and we both collapsed
on my porch, covered in leaves.
*
We spent the rest
of the afternoon playing "Truth or Dare." We
had both regressed to a scary but innocent place. I found out that he was
a Navy SEAL but got kicked out when was caught blowing another recruit.
His folks were scary, Southern Baptists and have had nothing to do with
him since he came out.
As we lay in bed, my head placed snugly on his chest, I thought of how
Eric used to hold me this way. For hours, we would lay like this and do
nothing. Until he started confusing me with a punching bag. Everytime things
went wrong at work, he would shove me or slap me or knock me to the floor.
There was nothing I could do. The LAPD tends to laugh off any domestic
disputes between fags. I promised myself, never again. Yet, here I was
with a guy who would take me down. If only, I had a sign that this was
right.
"This feels so right," Bobby
chimed in, reading my thoughts. He smiled and held me tight. Looking
up, I knew.
*
The next morning, I awoke to an empty bed and no sign of Bobby. Immediately,
I rushed to my dresser and checked for my wallet and jewelry. Nothing seemed
to be out of place or missing. I looked in the mirror. I was a mess but
I didn't care. He was just another trick. Would I ever learn? At least,
he didn't rob me like tht slut Tony had. Fuck it, I though, and headed
back to bed. That's when I noticed it.
There was a single, red rose on the pillow where Bobby's head should
have been. A driver's license and note were underneath. I picked up the
flower and smelled it. I took the license in my hands and read: ROBERT
McGEE. Too good to be true? Miss Joplin, I thank you. I was nervous as
I perused the note. It simply stated: BE BACK SOON...
This was IT! HE was the done! He was not little Brandon Meyer; he would
not move away. He was not Eric; he would not hurt me. He WAS Bobby McGee
and I loved him. And, in this moment of time, he was mine. All mine...
-THE END-
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